Konzept und wissenschaftliche Leitung

Antonio Alexandre Bispo

Angewandte Musikologie

- Stand der Forschung -

31. Januar

Universität des Staats São Paulo UNESP

Institut der Künste

Auditorium J. Baptista Julião

9:00 Uhr

Ehrenvorsitz: Dr. Eurico Nazaré Nogueira França
ehem. Generalsekretär der nationalen Musikkommission

Interpretation und Unterricht des Gregorianischen Chorals im Licht der erforschten Handschriften in den letzten 60 Jahren

Eleanor Florence Dewey

Vorsitzende der Gregorianischen Chorgesellschaft Pius X° von São Paulo

Taking into consideration the shortage of time, only the manuscript of Saint Gall in Switzerland was explained. After a short historical explanation of the „Method of Solesmes“ Dom Eugène Cardine’s work was referred to. Quoting Dom Jean Hourlier, who defines Semiologie, saying, „It is the science of ancient systems of notation emplyed to express music in the visual domain. In a large sense, its object is the reading of ancient manuscripts in view of a musical interpretation and restoration. In a more precise sense, musical paleography is today limited exclusively to the study of musical symbols, their various forms, their history and their geographical distribution.“ The fundamentl neumes whre shown in the so-called square notation and so was the object of semiological studies. To end the communication, the Choir „Saint Pius X“ of São Paulo, gave a demonstration of how the investigation on semiology can be put into practice by singing the Introit of the Mass of the 4th Sunday of the year. (Übers. Eleanor Florence Dewey)

Die vernunftgeleitete Anwendung von Musik in ihren Beziehungen zur Musikkritik

Prof. Amós Silva do Nascimento

Musikabteilung des Methodistischen Instituts für Hochschulstudium, São Bernardo do Campo

The relatioon between the Rationale und Emotional is fundamentally an important question for a musical critic. Considerations are under discussion about the conception of the Rationale and Emotional and the conjugation of the two in the human body. The analyses of an artistic and musical factor should take this intrinsic relationship into consideration. Technique and „liberty“ are also combined in musical art. For centuries, the rationale gained more and more ground in musical art and in the religious aspect. The mystical aspect of both areas gradually lost ground. A network of considerations on Theology, Musicology and the relationship between Musicology and Musical Criticism asppeared. (EFD)

Die Gruppen für Marschmusik/Fanfarren als Ort musikalischer Ausbildung

Prof. Neyde Brandani

Institut für Künste der Staatsuniversität Júlio de Mesquita Filho (UNESP)

Foreign musicians are contracted for orchestras and instrumental groups in Brazil. These musicians may also teach and can contribute to the training of Brazilian instrumentalists. Some official projects, try to achieve these aims. The young Brazilian, generally lacks systematic musical instruction. Music is part of the field of „Artistic Education“, which includes plastic arts, scenic arts, music and drawing, and therefore it cannot be taught adequately. Within a few years it will no longer be possible to form a simple choir for a school commemoration. On the other hand, some schools have bands conducted by non-qualified teachers. These bands have great educational value and that has been the objective of a detailed research. (EFD)

Die Aktivitäten im Bereich der Kunstmusik in Santa Maria, Rio Grande do Sul

Prof. Maria del Carmen Macchi, Prof. Juliane Manica da Cruz, Prof. Cynthia Irion

Bundesuniversität von Santa Maria, Rio Grande do Sul

This is an acoount of the research work carried out by a group of professors and pupils of the Department of Music of the Centre of Arts and Letters of the Federal University of Santa Maria. The research has two main objectives: to save the local heritage of music and to initiate the studies in the methodology of scientific investigation. Santa Maria, situated in the geo graphical centre of Rio Grande do Sul, originated from a native mission but the actual foundation of the town goes back to a military encampment at the end of the XVIII century. In the XIX century, the town received a great many colonists, especially Azorians; from 1828 onwards the Germans came in and from 1877 the Italians. There are records of local institutions for teaching music, activity in the area of music and the Faculdade de Belas Artes, names of the main instrumentalists, instrumental groups and the local choruses and composers. Frederico Richter very especially devoted himself to the foundation of an orchestra using themes he could dispose of the region. This led him to develop the practice of executing specially adapted repertoires in an individual way. (EFD)

1° Februar

Basilika von Unserer Lieben Frau auf dem Berge Karmels
18:30 Uhr

Hochamt
zum 80. Geburtstages von

Mozart Camargo Guarnieri

Missa Diligite

Chor Camargo Guarnieri, Poços de Caldas, Minas Gerais
Leitung: Valderez Medina Ferreira

Symphonieorchester der Universität São Paulo

Leitung: Ronaldo Bologna

Gregorianischer Chor S. Pius X von São Paulo

Leitung: Eleanor Florence Dewey

Predigt und Laudatio

Prof. Dr. José Geraldo de Souza

Präsident der Brasilianischen Gesellschaft für Musikwissenschaft

Kulturministerium

Regierung des Staates São Paulo

Kultursekretariat des Staates São Paulo

Stadt São Paulo

FUNARTE - Nationalstiftung für Kunst

Villa-Lobos Museum, Rio de Janeiro

Internationaler Musikrat/UNESCO

Consociatio Internationalis Musicae Sacrae, CIMS

Staatsuniversität Júlio de Mesquita Filho

Instituto de Artes do Planalto

Universität von São Paulo

Universität von Rio de Janeiro

Universität von Ouro Preto

Bundesuniversität von Rio de Janeiro

Bundesuniversität von Minas Gerais

Bundesuniversität von Goiás

Bundesuniversität von Paraná

Bundesuniversität von Santa Catarina

Bundesuniversität von Rio Grande do Sul

Bundesuniversität von Bahia

Bundesuniversität von Santa Maria, RS

Päpstliche Universität von Paraná

Brasilianische Gesellschaft für Volkskunde

Brasilianische Gesellschaft für Akustik

Gesellschaft Pró-Música Antiga

Brasilianische Gesellschaft für zeitgenössischer Musik

Institut Technologischer Forschung, São Paulo

Brasilianisches Institut für Geographie und Statistik

Bibliothek der Schule für Kommunikation und Künste der Universität São Paulo, ECA

Institut für hymnologische und musikethnologische Studien, Maria Laach

Studienzentrum für Kunstsoziologie der Philosophischen Fakultät der Universität São Paulo

Musikfakultät Carlos Gomes

Museum der Universität São Paulo (Ipiranga-Museum)

Museum für Volkskunde São Paulo

Musikkonservatorium von Niterói

Musikabteilung des Methodistischen Instituts  für Hochschulstudien, São Bernardo do Campo

Gesellschaft für Gesang des Mittelsalters, São Paulo

Basilika Unsere Frau von Karmel

Symphonie Orchester der Universität São Paulo

Musikkonservatorium Brooklin Paulista
Chor Camargo Guarnieri, Poços de Caldas
Gregorianischer Chor Pius X, São Paulo